Alejandro Davidovich Fokina of Spain reacts after the men's single tennis match of Dubai Duty Free Tennis Championship in Dubai, United Arab Emirates on March 01, 2023. (Photo by Amr Alfiky/Reuters)
Amar, who is one-and-a-half years old and a Syrian refugee living in Turkey, looks on as the search for survivors continues in the aftermath of a deadly earthquake in Kahramanmaras, Turkey on February 13, 2023. (Photo by Suhaib Salem/Reuters)
An exile Tibetan artisan waits to perform a traditional dance after an early morning prayer session to usher in the Year of the Water Hare in Dharamshala, India, Tuesday, February 21, 2023. (Photo by Ashwini Bhatia/AP Photo)
Miss California Jessa Carmack during swimsuit competition at Miss America 2017 pageant, Sunday, September 11, 2016, in Atlantic City, N.J. (Photo by Noah K. Murray/AP Photo)
A young protester takes part in a protest near Tahrir Square to call for the fall of Islamist President on January 24, 2012 in Cairo. (Photo by Mohammed Abed/AFP Photo via The Atlantic)
Many people have seen feathers as decorative items before. Today, ostrich, peacock and bird of paradise feathers can be seen in haute couture and in the costumes of indigenous peoples. They can be colorful and spectacular in their own right, but how much more stunning might they be when used as canvases for artists, eager to demonstrate their talent for the unusual? Alaskan-born and -bred artist Julie Thompson is an astounding exponent of this incredible art form.
The 37-year-old French artist Anne-Catherine Becker Echivard’s latest artworks were inspired by the silent movies of Charlie Chaplin and Buster Keaton; she uses real-life smelly fish heads as her models for some photos that depict everyday life to address topics.
A man inspects a plastic cover placed over an artwork attributed to Banksy on May 17, 2012 in London, England. The stencilled image depicts a poor child making Union Jack flags on a sewing machine and is located on the wall of a Poundland discount shop in the Wood Green area of north London. (Photo by Peter Macdiarmid)