A humanoid robot works side by side with employees in the assembly line at a factory of Glory Ltd., a manufacturer of automatic change dispensers, in Kazo, north of Tokyo, Japan, July 1, 2015. Japanese firms are ramping up spending on robotics and automation, responding at last to premier Shinzo Abe's efforts to stimulate the economy and end two decades of stagnation and deflation. (Photo by Issei Kato/Reuters)

Young men play basketball on an improvised court wedged between a construction site and the shells of once grand colonial homes in Havana, July 20, 2015. As much as the young in Cuba welcome political opening and economic reform, such changes are unlikely to filter down to their lives anytime soon. (Photo by Meridith Kohut/The New York Times)

Vehicles are burning as thousands of people take to the streets during the May Day demonstrations on May 1, 2018 in Paris, France. This month celebrates the 50th anniversary of May 68 when France seen millions of students and striking workers, come onto the streets in demonstrations that changed the country. (Photo by Jeff J. Mitchell/Getty Images)

A mock-up of a typical British suburban home is seen sinking into the River Thames, in a protest by Extinction Rebellion to demand faster government action on climate change in London, Britain on November 10, 2019. (Photo by Extinction Rebellion/Handout via Reuters)

A tea garden worker plucks tea leaves inside Aideobarie Tea Estate in Jorhat in Assam, India, April 21, 2015. Unrest is brewing among Assam's so-called Tea Tribes as changing weather patterns upset the economics of the industry. Scientists say climate change is to blame for uneven rainfall that is cutting yields and lifting costs for tea firms. (Photo by Ahmad Masood/Reuters)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon