Indian artist Sudarsan Pattnaik works on a sand sculpture depicting drowned Syrian boy Aylan Kurdi at Puri beach, some 65 kilometers away from Bhubaneswar, on September 4, 2015. Charities helping refugees saw a surge in donations on September 4 across Europe as people shocked by the heart-rending images of a drowned Syrian boy on a Turkish beach dug deep to help out. The photos of the lifeless body of three-year-old Aylan Kurdi, lying on a beach in Bodrum, Turkey, have triggered a wave of emotion across the continent, despite deep divisions among European governments on how to deal with the crisis. (Photo by Asit Kumar/AFP Photo)

Local resident Rita holds a cat while her neighbour Raisa saws firewood next to their residential building heavily damaged by permanent Russian military strikes in the front line town of Avdiivka, amid Russia's attack on Ukraine, in Donetsk region, Ukraine on November 8, 2023. (Photo by Serhii Nuzhnenko/Radio Free Europe/Radio Liberty via Reuters)

“A topless women's rights activist hacked down a Christian cross in the Ukrainian capital Kiev with a chain saw on Friday in protest at the prosecution of the Russian feminist punk band, p*ssy Riot”. – Reuters. (Photo by FEMEN)

American nature and wildlife photographer Paul Souders is very well-travelled around the globe. In one of his exploits, we have his series of images shot in the ice capped shores of Churchill, Canada. Souders took his Zodiac boat to Hudson Bay in midsummer and waited there for three days before he finally saw a bear, a young female while on sea ice around 30 miles offshore.

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)

“Hippo Chase”. As we approached the camp the Selinda Reserve of northern Botswana our boat passed by a hippo resting in the water. I turned around to look back at the boat's wake and saw the hippo charging after us! The hippo must've been tired from an all-nighter because he was angry. He rose way up out of the water three times trying to chase our boat! He was coming at us with such force that he created a wake of his own. Photo location: Selinda Reserve of northern Botswana. (Photo and caption by Curtis Simmons/National Geographic Photo Contest)

“Double head vulture”. On the day of windy days during raptors migration some people in my country start to catch these tired raptors, so in this day we go to photograph some raptors and we saw these tow tired vultures, so we start to drag them away from the hunters until they reach a good hidden place, to make them safe until they start a new journey. Photo location: Kuwait. (Photo and caption by Mohd Khorshed/National Geographic Photo Contest)