Veterans of the Bangladesh war of liberation march past during the celebration of the country’s 45th Victory Day at the national parade ground in Dhaka December 16, 2015. (Photo by Ashikur Rahman/Reuters)

A racegoer is given some water as he lays on the ground following 2017 Stakes Day at Flemington Racecourse on November 11, 2017 in Melbourne, Australia. (Photo by Scott Barbour/Getty Images)

Thousands of fireflies dance around Aurora Ghizzi Panizza, age 4, in the grounds of the 15th-century Castello di Torrechiara in Parma, Italy on July 16, 2022. (Photo by Alberto Ghizzi Panizza/Animal News Agency)

Marines of the Baltic Fleet forces of the Russian Navy train in the zone of obstacles during military exercises at the Khmelevka firing ground in the Kaliningrad region, Russia on November 24, 2021. (Photo by Vitaly Nevar/Reuters)

An Afghan hawker selling balloons walks along a path in a ground in Chaman-e-Hozori area in Kabul on December 10, 2021. (Photo by Ahmad Sahel Arman/AFP Photo)

Anti-government protesters react on the grounds of the Mezhyhirya residence of Ukraine's President Viktor Yanukovich in the village Novi Petrivtsi, outside Kiev February 22, 2014. (Photo by Konstantin Chernichkin/Reuters)

Participants take part in the 44th annual Gay and Lesbian Mardi Gras parade at the Sydney Cricket Ground (SCG) in Sydney, Australia, 05 Ma​rch 2022. (Photo by Bianca de Marchi/EPA/EFE)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.