Ukrainian artist Oleg Shuplyak masters the optical illusion in his incredible scenic oil paintings.

Women pose for a selfie in a lavender field at Hitchin Lavender farm in Ickleford, Britain, August 4, 2020. (Photo by Peter Cziborra/Reuters)

Cars drive on an alley between rape fields in the outskirts of Frankfurt, Germany, Monday, April 22, 2024. (Photo by Michael Probst/AP Photo)

A camel rests at a fuel station in the Judean desert near the West Bank city of Jericho January 11, 2015. Reuters photographers from Mali to Mexico have shot a series of pictures of fuel stations. Whether it is plastic bottles by the roadside in Malaysia or a futuristic forecourt in Los Angeles, fuel stations help define our world. Oil prices steadied above $48 a barrel on Tuesday, recovering from earlier losses as the dollar weakened against the euro. Oil prices have dropped nearly 60 percent since peaking in June 2014 on ample global supplies from the U.S. shale oil boom and a decision by OPEC to keep its production quotas unchanged. (Photo by Baz Ratner/Reuters)

A girl walks along rice paddy fields during “National Paddy Day”, which marks the start of the annual rice planting season, in Tokha village on the outskirts of Kathmandu on June 29, 2020. Splashing mud and drinking local rice beer, Nepali farmers this week celebrated National Paddy Day to mark the beginning of the rice-planting season, despite some coronavirus lockdown measures still in place. Traditional farming songs and laughter echoed in the air as farmers waded into waterlogged fields to sow green paddy. (Photo by Prakash Mathema/AFP Photo)

A derelict farm house adorns the horizon as it sits in a field in the Lancashire Countryside on January 26, 2012 in Burscough, England. (Photo by Christopher Furlong/Getty Images)

An Afghan girl harvests Cotton buds at a field on the outskirts of Balkh province, Afghanistan, November 15, 2014. (Photo by Sayed Mustafa/EPA)

North Kenya, Liboi. A young Somali refugee crosses a field filled with marabous storks in July 1992. (Photo by Jean-Claude Coutausse)