Rihanna performs onstage during the 2016 MTV Video Music Awards at Madison Square Garden on August 28, 2016 in New York City. (Photo by Noam Galai/FilmMagic)

Kacey Musgraves performs at the 49th annual CMA Awards at the Bridgestone Arena on Wednesday, November 4, 2015, in Nashville, Tenn. (Photo by Chris Pizzello/Invision/AP Photo)

People participate in the annual Afropunk Music festival on August 27, 2016 in New York City. (Photo by Stephanie Keith/Getty Images)

DJ David Guetta (R) and rapper Nicki Minaj perform onstage during the 2017 Billboard Music Awards at T-Mobile Arena on May 21, 2017 in Las Vegas, Nevada. (Photo by Mario Anzuoni/Reuters)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

Gothic rock music enthusiasts walk the streets between venues during the annual Wave Gotik music festival on June 11, 2011 in Leipzig, Germany. The festival began in the 1990s and has since grown into one of the biggest gatherings of Goth scene followers in Europe with around 20,000 participants. Many of those attending wear elaborate outfits and make-up for which they require hours of painstaking preparation and that also show a departure from the traditional black of the Goth scene. Punk remains a strong influence in today's Goth style as witnessed in Leipzig, but newer trends, with names like Cybergoth and Steampunk, have emerged that blend bold colors, Victorian fashion elegance and 19th and 20th century factory accessories into a look reminiscent of a mutated Venetian carnival. The five-day festival includes performances by around 200 bands. (Photo by Carsten Koall/Getty Images)

#Resistiré 2020 (# I will resist 2020), the hymn recorded by more than 30 Spanish artists to beat the coronavirus together. Participating in the hymn: Alex Ubago, Andrés Suárez, Álvaro Soler, Blas Cantó, Carlos Baute, Conchita, David Bisbal, David Otero, David Summers, Despistaos, Diana Navarro, Dvicio, Mariposa Effect, Hall Effect, Ele, Georgina, India, Jose Mercé, Josemi Carmona, Manuel Carrasco, Melendi, Mikel Erentxun, Nil Moliner, Pastora Soler, Pedro Guerra, Pitingo, Rosana, Rozalén, Rulo, Sofía Ellar and Vanesa Martín. Promoted by Cadena 100, all these musicians and artists come together under the production of Pablo Cebrián to get this Resistiré, with which all funds will be for the benefit of Cáritas (Caritas Internationalis is a confederation of 165 Catholic relief, development and social service organizations operating in over 200 countries and territories worldwide. Collectively and individually, their claimed missions are to work to build a better world, especially for the poor and oppressed).