In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

This year’s World Nomad Games, a celebration of nomadic heritage, took place in the Issyk-Kul province of Kyrgyzstan. Eleanor Moseman photographed female competitors who had travelled from all over central Asia and eastern Europe, and explored the difficulties and challenges they face as competitors. (Photo by Eleanor Moseman/The Guardian)

Winti spiritual leader Ramon Mac-Nack (2nd L) looks on as as his bride Melissa Karwafodi (2nd R) hands a gourd to a Maroon priest (L) as they are wedded in the first Winti marriage ever to be held in public, in district Para, Suriname, November 16, 2015. The Winti religion, which formed centuries ago out of elements of different religious traditions that African slaves brought with them to Suriname, was considered a form idolatry and prohibited by law since the days of slavery until it was finally officially recognized in 1971. (Photo by Ranu Abhelakh/Reuters)

Karl Bang's paintings are unique because he combines totally different styles of painting within the same format. It is very difficult to design a balanced composition with realistic elements that are juxtaposed with flat colors and patterns. The faces of his subjects are painted realistically in the Western tradition with subtle gradations of color; while, his figures and costumes vignette into abstracted shapes, lines, flat colors and patterns that reflect Karl's background in China. It is as though there are different visual languages being spoken within his paintings.

Artist Robert Mickelson is an expert sculptor whose medium of choice happens to be glass. There's something so pure and serene about glass. Perhaps it's the material's transparency coupled with its fragility. Whatever it may be, Mickelson knows how to accentuate the element's most appealing qualities. Each of his life-like sculptural pieces exude realism with a refined quality.

Scaffolding holding a remnant of the Soviet Union, the hammer and sickle, is seen on a rooftop of an abandoned building in the town of Pripyat on January 25, 2006 near Chernobyl, Ukraine. The town of Pripyat, deserted since the 1986 catastrophe, once housed 30,000 people, the majority of being workers from the Chernobyl Nuclear Power Plant. Days after the catastrophe the inhabitants were relocated to other locations in the Soviet Union. The town of Pripyat has remained uninhabited since. Prypyat and the surrounding area will not be safe for human habitation for several centuries. Scientists estimate that the most dangerous radioactive elements will take up to 900 years to decay sufficiently to render the area safe.

Elements of nature are too powerful for humans to subdue, yet it didn’t stop the most courageous individuals from trying. Conquering air, land, fire, water, and even the very fabric of reality – this is the ultimate goal of humanity. For now, we can only marvel at the beauty and tremble in awe before the Mother Nature. A short film “Ocean Gravity,” written and directed by Julie Gautier and Guillaume Nery, reminds us of how small and insignificant a human body is, as it is being swept away by an ocean current. Nevertheless, it never stopped people from attempting to subjugate these unstoppable forces, and someday, maybe the humanity will come out victorious.

The Nasīr al-Mulk Mosque or Pink Mosque is a traditional mosque in Shiraz, Iran, located in Goade-e-Araban place (near the famous Shah Cheragh mosque). The mosque was built during the Qājār era, and is still in use under protection by Nasir al Mulk's Endowment Foundation. It was built by the order of Mirza Hasan Ali Nasir al Molk, one of the lords of the Qajar Dynasty, in 1876 and was finished in 1888. The designers were Muhammad Hasan-e-Memar and Muhammad Reza Kashi Paz-e-Shirazi. The mosque extensively uses colored glass in its facade, and displays other traditional elements such as panj kāseh-i (five concaves) in its design, it is also named in popular culture as Pink Mosque due to the usage of beautiful pink color tiles for its interior design.