Andy Saturn dressed in a space outfit walks in through a subway station over memorial day weekend on May 29, 2021 in New York City. On May 19, 2021 all pandemic restrictions, including mask mandates, social distancing guidelines, venue capacities and restaurant curfews were lifted by New York Governor Andrew Cuomo. (Photo by Alexi Rosenfeld/Getty Images)

Traditional dancers are seen at Ela Beach, near a venue of the Asia-Pacific Economic Cooperation (APEC) summit in Port Moresby, Papua New Guinea, 13 November 2018. The APEC summit brings together world leaders from its 21 member nations and is being hosted for the first time by Papua New Guinea. (Photo by Mast Irham/EPA/EFE)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)

Israeli couples attend a “trash the dress” event at a paint-ball venue in the southern Israeli city of Ashdod, December 25, 2015. Twelve Israeli couples wore their wedding outfits once again on Friday as they took part in a video clip where they deliberately ruined their wedding outfits, in keeping with the trendy wedding style photography dubbed “trash the dress”. (Photo by Amir Cohen/Reuters)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)

“The Duke and Duchess of Cambridge”, “The Queen” and “Prince Harry” outside the Summerhall arts venue in Edinburgh, Scotland, where their creator Alison Jackson is holding a live performance of her work called La Trashiata. Debuting at the Edinburgh Festival Fringe and broadcast to Odeon Cinemas in association with Hibrow Productions, “La Trashiata” will feature a roster of Alison Jackson's brilliant lookalikes singing some of opera's most famous arias. The stage will be set for uncanny doppelgangers to each take to the stage and perform their amusingly appropriate song. (Photo by James Glossop/The Times/SIPA Press/News Syndication)

Two women dressed for a party take photos of each other outside a venue in London, Friday, December 17, 2021. On what would normally be one of the busiest times for pubs and restaurants just before Christmas, customer numbers are down in central London due to concerns about the new omicron variant. Friday night in Central London was muted with one bar saying they have 30 customers inside when there should have been 170, with large amounts of cancellations in recent days. (Photo by Alastair Grant/AP Photo)

People wearing face masks to prevent the spread of coronavirus gather in a discotheque in Madrid, Spain, early Saturday, July 25, 2020. Nightlife is becoming the new target of Spanish authorities attempting to contain a spike in coronavirus infections since the country ended a lockdown. The Catalonia regional government has shut nightlife venues in Barcelona, and on Friday officials in Madrid said they were considering a similar step. (Photo by Manu Fernandez/AP Photo)