An F/A-18 Hornet assigned to Strike Fighter Squadron One Five One (VFA-151) emerges from a cloud created when it broke the sound barrier in the skies over the Pacific Ocean, July 7, 1999. (Photo by John Gay/US Navy)

“When We're Gone... Memories Of Us Are All That Remain”, 2011. (Photo by: Trini61; Source: Flickr)

Yogis and street performers have been simulating levitation with nifty contraptions forever. They appear to be held aloft via nothing but their preternatural mental prowess. But are really enjoying the benefits of basic physics just like the rest of us when we use a chair. However, just because it’s perfectly explainable doesn’t mean it isn’t nifty. I’m especially impressed by this 2-person version and am still trying to work out how exactly the chair they’re using is shaped at the base.

We see what Ferris wheels look like when captured using a longer exposure (i.e., shutter left open, typically 2 seconds or more). The lights that adorn the Ferris Wheels blend and blur, creating brilliant patterns and beautiful photos.

Discover fabulous use of photomanipulation in these illustrations when you dive into the surreal world of Manuel Rodríguez Sánchez.

Photochromes are vibrant and nuanced prints hand-coloured from black-and-white negatives. Created using a process pioneered in the 1880s, these images offer a fascinating insight into the world when colour photography was still in its infancy. A Tour of the World in Photochromes is at the Swiss Camera Museum, Vevey, until 21 August. Here: Street food in the Strada del Porto in Naples, Italy, 1899. (Photo by Swiss Camera Museum/The Guardian)

A soldier poses with a Hythe Mk III Gun Camera during training activities at Ellington Field, Houston, Texas in April of 1918. The Mk III, built to match the size, handling, and weight of a Lewis Gun, was used to train aerial gunners, recording a photograph when the trigger was pulled, for later review, when an instructor could coach trainees on better aiming strategies. (Photo by Harry Kidd/WWI Army Signal Corps Photograph Collection via The Atlantic)

Egyptian 26-year-old dancer Nadine El Gharib, dances on the rooftop of her home in Cairo, Egypt, Monday, September 27, 2021. “Dance was crucial when COVID-19 started in terms of taking care of my well-being”, Gharib said. “When restrictions forced us to stop going to the Opera for classes I started online dance and it introduced me to a new world of dance. It was very inspiring”. (Photo by Nariman El-Mofty/AP Photo)