A couple watches office and residential buildings from the observation deck of Tokyo Skytree, the world's tallest broadcasting tower, in Tokyo, Japan, August 18, 2021. (Photo by Marko Djurica/Reuters)
Children jump over a puddle of water as they play during a rainstorm on a street in Barcelona, Spain, Saturday, September 18, 2021. (Photo by Emilio Morenatti/AP Photo)
Members of the Loktev Ensemble perform during the opening of the 18th Moscow Meets Friends International Festival at the Moscow International House of Music in Moscow, Russia on May 18, 2021. (Photo by Artyom Geodakyan/TASS)
A person in a costume poses during the 2024 New York Comic Con, at the Jacob Javits Convention Center in New York City, on October 18, 2024. (Photo by Eduardo Munoz/Reuters)
Five-year-old Jeda takes a close look at “Sharnana” by artist Drew McDonald at the Sculpture by The Sea on October 18, 2024 in Sydney, Australia. (Photo by Jessica Hromas/The Guardian)
A Lebanese man rides his horse in a village destroyed by an Israeli air and ground offensive, in the town of Kfar Kila, southern Lebanon, Tuesday, February 18, 2025. (Photo by Hassan Ammar/AP Photo)
Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)