A model presents a creation by Japanese designer Yoshikazu Yamagata for his label writtenafterwards during the Mercedes-Benz Fashion Week in Tokyo, Japan, 16 March 2016. The presentation of the Autumn/Winter 2016 collections runs from 14 to 19 March. (Photo by Kiyoshi Ota/EPA)

A pilot inflates a hot air balloon while taking part in the 38th International Balloon Festival of Chateau-d'oex, Switzerland, 23 January 2016. The festival takes place from 23 to 31 January. (Photo by Vincent Vannay/EPA)

Wild elephants, including a tusker (C), rummage through garbage dumped at an open ground in the village of Digampathana in north- central Sri Lanka on August 19, 2017. Sri Lanka has banned the dumping of garbage at open fields and near wildlife reserves, but the practice continues. (Photo by Lakruwan Wanniarachchi/AFP Photo)

A man being tested for the COVID-19 novel coronavirus reacts as a medical worker takes a swab sample in Wuhan in China's central Hubei province on April 16, 2020. China has largely brought the coronavirus under control within its borders since the outbreak first emerged in the city of Wuhan late last year. (Photo by Hector Retamal/AFP Photo)

Sea of clouds is seen after a rainfall at the Huangshan Mountain scenic spot on April 10, 2019 in Huangshan, Anhui Province of China. (Photo by Fang Lihua/Qianlong.com/VCG via Getty Images)

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)

Palestinian schoolboys sit in the trunk of a car as they go to school on a rainy day in Khan Younis, in the southern Gaza Strip, October 7, 2015. (Photo by Ibraheem Abu Mustafa/Reuters)

«Underwater». Laurie Simmons discovered this silicone sеx doll in a shop while on holiday in Japan and was immediately interested in the type of generic beauty their looks could add to her work. She went on to create the Love Doll series, in which she places silicone sеx dolls in positions that explore a woman’s interior life. (Photo by Laurie Simmons/Salon 94/The Guardian)