London Zoo photo of Tammy the tree-climbing anteater who is to be given her own minder during a series of late night events at ZSL London Zoo this summer. The twelve-year-old tree-climbing anteater is famed for her friendly disposition, but with naturally poor eyesight zookeepers will be giving Tammy help to steer her past any errant feet in the free-roaming exhibit. (Photo by ZSL London Zoo/PA Wire)

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Artists perform during a “Yandu Story” Show performance, in Yancheng, Jiangsu province, China, 20 September 2022. The story dates back to some 100 years when – according to the organizers – two prominent local families, Gu and Ling, were committed to get out of a predicament, but parted due to different development concepts and ended in a turmoil. The large-scale immersive series of performances took more than a year of careful planning and consists of two parts: a daytime performance and a 90-minute night performance, they added. (Photo by Alex Plavevski/EPA/EFE/Rex Features/Shutterstock)

Mohammed El-Dahshan, 38-year-old “Mesaharati”, or dawn caller, accompanies his donkey wrapped with colored led lights to wake Muslims up for a meal before sunrise, during the Islamic holy month of Ramadan, in the Delta city of Dikernis, about 93 miles (150 km) North of Cairo, Egypt early Wednesday, April 12, 2023. Each night, El-Dahshan, sets out after midnight with his donkey banging his drum, chanting traditional religious phrases and calling out on residents by name to wake them in time for the vital pre-dawn meal known as “Suhour”. (Photo by Amr Nabil/AP Photo)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

Brazilian top model Gisele Bundchen poses before a fashion show by German designer Karl Lagerfeld as part of his latest inter-seasonal Cruise collection for fashion house Chanel at the Paseo del Prado street in Havana, Cuba, May 3, 2016. (Photo by Alexandre Meneghini/Reuters)

In collaboration with the Pennsylvania Department of Transportation, Allegheny College art students repurpose used street signs as art materials to create the PennDOT Road Sign Sculpture Garden in Meadville, Pennsylvania, USA on August 19, 2017. (Photo by Brian Cahn/ZUMA Wire/Rex Features/Shutterstock)

A charity runner dressed as Father Christmas steps out of a portable toilet ahead of the “Santa Run” charity fun run in Stockholm on December 10, 2017. Hundreds of participants dressed in Santa suits and wearing white beards ran through the streets of the old town in Stockholm in an all charity run. (Photo by Jonathan Nackstrand/AFP Photo)