A woman wears a face mask in the part of the city near neighbourhoods known for burning coal for heating in Ulaanbaatar, Mongolia January 26, 2017. Not many people in Ulaanbaatar wear masks to protect themselves against pollution. (Photo by B. Rentsendorj/Reuters)

Mechanic and welder Sergei Kulagin, 32, strengthens the bracing of a spider sculpture, made by Kulagin, during a demonstration on the wall of an automobile repair workshop in the town of Divnogorsk outside Krasnoyarsk, Siberia, October 15, 2014. Enthusiast Kulagin, who works as a mechanic of an automobile service station, created about 20 sculptures made of used car parts and components during his non-working hours. (Photo by Ilya Naymushin/Reuters)

South Korea's Lee Dae-ho is hit by a pitch off Taiwan's pitcher Pan Wei-lun during the second inning of their first round game of the World Baseball Classic at Gocheok Sky Dome in Seoul, South Korea, Thursday, March 9, 2017. (Photo by Ahn Young-joon/AP Photo)

Italian dancer and choreographer Graziano Di Prima and Russian dancer and choreographer Katya Jones attend the photocall for the Strictly Come Dancing: The Live Tour 2024 at Utilita Arena Birmingham on January 18, 2024 in Birmingham, England. (Photo by Eamonn M. McCormack/Getty Images)

A Polish girl and a boy throw water over each other on Wet Monday in Szczecin, northwestern Poland, 13 April 2020. Wet Monday is a Catholic celebration held on Easter Monday mostly in Poland, but also in the Czech Republic, Slovakia, Hungary and some parts of western Ukraine. Due to the lockdown it is forbidden to celebrate this holiday in public. (Photo by Marcin Bielecki/EPA/EFE)

UConn students from Storrs, Conn., Gary Tu, Danny Wang and Victor Zheng, fish at Shenipsit Lake in Tolland, Conn. during sunset on Tuesday, August 19, 2014. (Photo by Jim Michaud/AP Photo/Journal Inquirer)

A spectator cools herself at a water spraying fan at the Australian Open tennis championships in Melbourne, Australia, Tuesday, January 17, 2017. (Photo by Kin Cheung/AP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)