Traders try to control a camel at Pushkar Fair where animals, mainly camels, are brought to be sold and traded in the desert Indian state of Rajasthan November 6, 2016. (Photo by Himanshu Sharma/Reuters)
Indian labourers carry clay bricks to a brick kiln in Farakka, in the Indian state of West Bengal, on April 3, 2019. (Photo by Xavier Galiana/AFP Photo)
Yasothon resident look on as huge, handmade rockets are launched into the air during the Bun Bang Fai festival on May 11, 2014 in Yasothon, Thailand. During the Bun Bang Fai rocket festival, Thai residents launch enormous home-made rockets into the air to gain Buddhist merit and to celebrate the beginning of the rainy season. (Photo by Taylor Weidman/Getty Images)
Steve McCurry has been a one of the most iconic voices in contemporary photography for more than 30 years, with scores of magazine and book covers, over a dozen books, and countless exhibitions around the world to his name.
A worker lifts up tiles during a bodybuilding contest for tile factory workers as part of celebrating Indonesia Independence day at Jatiwangi village in Majalengka, Indonesia West Java province, August 11, 2017. Indonesia Independence day is on August 17, 2017. (Photo by Reuters/Beawiharta)
British fashion designer Kimberley Garner arrives for the screening of the film “France” at the 74th edition of the Cannes Film Festival in Cannes, southern France, on July 15, 2021. (Photo by Johanna Geron/Reuters)
The American skier Lindsey Vonn celebrates winning the women’s downhill race in the FIS Alpine Ski World Cup on December 12, 2025. She is joined on the podium by Moritz, the competition’s official mascot, named after the Swiss resort in which it is held. (Photo by Denis Balibouse/Reuters)
Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.