Wrestlers in action during a traditional Sindhi Malakhra wrestling event in Karachi, Pakistan, 31 October 2024. During a Malakhra match, both wrestlers tie twisted cloth around their opponents' waists. They then grab the opponent's waist cloth and attempt to throw him to the ground. (Photo by Shahzaib Akber/EPA/EFE)

Raquel Poti poses for photographers during the “Amigos da Onça” street party on the second day of Carnival on February 10, 2024 in Rio de Janeiro, Brazil. (Photo by Buda Mendes/Getty Images)

A pair of otters share a soft kiss over seaweed on the Isle of Mull, Scotland in the first decade of October 2025. (Photo by David Akers/Solent News & Photo Agency)

Students from the Liceo Parini school celebrate the end of term in Milan, Italy on June 6, 2024. (Photo by Marco Ottico/LaPresse/Rex Features/Shutterstock)

A commuter gestures to Boris Johnson as he rides across Vauxhall Bridge in London, England on November 19, 2015. The London mayor was opening a cycle superhighway. (Photo by John Stillwell/PA Wire)

A visitor holds an Israeli-made rifle during the 8th International Land and Naval Defense system exhibition, in New Delhi, India, on February 6, 2014. (Photo by Anindito Mukherjee/Reuters)

Wedges of an orange generate enough current and electrical juice – 3.5 volts – to power an LED. The fruit’s citric acid helps electrons flow from galvanized nails to copper wire in this 14-hour exposure. This image was published in September’s Visions of Earth, a trio of photos that appear in each issue of National Geographic. (Photo by Caleb Charland/National Geographic)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)