People take part in the “The Burial of the Sardine” funeral procession, which marks the end of carnival festivities, in Madrid, Spain, February 10, 2016. “Mourners” carry a coffin with a mock sardine through the streets to celebrate the countdown to Lent. Spanish painter Francisco de Goya's painting “El entierro de la sardina” (The Burial of the Sardine) was inspired by this tradition, which started in Madrid in the 18th century, around the time of Spanish King Carlos III. (Photo by Juan Medina/Reuters)

Buddhist monks walk past a statue of comic character the Hulk at Tamru temple in Samut Prakan province, Thailand, March 3, 2016. It’s a sign of changing times for Buddhism in Thailand when one sees temples, including Wat Tam Ru, using U.S. comic superheroes to attract children and teenagers into the religion. (Photo by Chaiwat Subprasom/Reuters)

An artist takes part in the festival “Statues en Marche” in Marche-en-Famenne, Belgium, July 20, 2019. Living statues are a common sight in many city centers, but it is rare to see such a diverse range of this peculiar form of street art for which performers must keep still for painfully long periods of time to create the desired illusion. (Photo by Yves Herman/Reuters)

Chen interacts with his “smart” sеx doll as he lays in a bed in his home in Guangzhou, Guandong Province, China, 05 April 2018. Chen, because of his busy pharmaceutical sales job and the travel it involves, has no time for a girlfriend. Chinese girls all want to talk about marriage after the second date and he is not interested in that for now, he said. (Photo by Aleksandar Plavevski/EPA/EFE)

Viking re-enactors representing the rival armies of the Vikings and Anglo-Saxons skirmish near Clifford’s Tower during the Jorvik Viking Festival on February 23, 2019 in York, England. The annual Jorvik Viking Festival held in York is recognised as the largest event of its kind in Europe. This year the festival remembers the role that the Viking women played during those turbulent times. (Photo by Christopher Thomond/The Guardian)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

“A magician has spent the last 12 months creating a different amazing balloon model every day – including cartoon characters and even a life-sized balloon bike. Magician Rob Driscoll, or Robbie the Wizard as he is known in his magic act, from Portsmouth, Hampshire, has fashioned balloons into various shapes for the past year. He has spent time creating famous cartoon characters such as Gru from Despicable Me, Spongebob Squarepants and Sonic the Hedgehog, which he gives away to children at his shows”. – Caters News Agency. Photo: “Scorpian”. (Photo by Rob Driscoll/Caters News Agency)

For more than a century, the Barcelona skyline has been graced (or marred, depending on who’s talking) by the spectacle of the Basilica designed by Anton Gaudi, first started in 1882. If you want to know what it’ll look like when finished, don’t fret — 2026 is right around the corner. Or you can watch this video, released last week on YouTube by Basílica de la Sagrada Família and titled simply “2026 We Build Tomorrow,” a 3-D artists’ rendering of the building stages through completion.
(If 144 years sounds like a long time to finish a cathedral, keep in mind that there were decades that they didn’t work on it — and that Notre Dame de Paris took 182 years, although the 13th century Parisians didn’t have diesel-powered industrial cranes.) Now, if only the video could show us what the admission and hours will be in 2026 (and how to avoid the inevitable long lines).