Rebecca Smith poses for a photograph during winter solstice with her Irish Wolfhound dog called Amazing Grace at the 5000 year old stone age tomb of Newgrange (not in view) in the Boyne Valley at sunrise in Newgrange, Ireland, December 21, 2016. (Photo by Clodagh Kilcoyne/Reuters)

Omsin, a 25 year old femal green sea turtle, rests next to a tray of coins that were removed from her stomach after a surgical operation at the Faculty of Veterinary Science, Chulalongkorn University in Bangkok, Thailand, March 6, 2017. (Photo by Athit Perawongmetha/Reuters)

A girl watches as Saen Dao, an eight-year-old female asian elephant, and her mahout perform underwater during a show at the Khao Kheow Open Zoo in Chonburi south of Bangkok on June 1, 2017. (Photo by Roberto Schmidt/AFP Photo)

In this Wednesday, August 2, 2017 photo, Borre, an 8-year-old cat sits in a basket next to the canal on the Catboat shelter in Amsterdam, Netherlands. In the heart of the Dutch capital, on a canal near one of the busiest shopping streets, a floating animal sanctuary called The Catboat provides refuge for about 50 stray and abandoned felines. (Photo by Muhammed Muheisen/AP Photo)

China has recently relaxed its one child policy that was used to control a burgeoning population. A couple has their wedding photo taken in an old quarter of Beijing on May 24, 2016. (Photo by Michael Robinson Chavez/The Washington Post)

Jennifer Lopez stars in the spring-summer 2020 campaign for fashion giant, Versace. The 50-year-old actress appears in the eye-catching campaign, shot by fashion photographers Mert Alas & Marcus Piggott, described by the brand as “a provocation on the power of the internet“. (Photo by Versace/The Mega Agency)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)