A Hindu devotee displays his inked hand after taking part in the religious festival of Holi in Vrindavan, in the northern state of Uttar Pradesh, India, March 8, 2017. (Photo by Cathal McNaughton/Reuters)

A man bathes in an ice hole in the Neva River in St. Petersburg, Russia, Wednesday, January 13, 2021. The temperature in St. Petersburg is –15C ( 5 °F). (Photo by Dmitri Lovetsky/AP Photo)

In this image released on February 5th – Models walk the runway at the Cihan Nacar show on February 04, 2021 in Kyiv, Ukraine. (Photo by Ferhat Zupcevic/Getty Images for Cihan Nacar)

A young marcher high fives the crowd as Australian military personnel, past and present, commemorate ANZAC Day during a parade through the city centre in Sydney, Australia on April 25, 2023. (Photo by Jaimi Joy/Reuters)

Crystal ice cubes at Jingyuetan National Forest Park attract tourists in Changchun City, northeast China's Jilin Province on January 10, 2024. (Photo by Splash News and Pictures)

Photographer and former dancer Jesús Chapa-Malacara, head of art production company fotosjcm, announces the launch of Esprit de Corps, an innovative book of ballet photography unlike any seen before. The high-end art book, currently being independently financed and offered exclusively through a Kickstarter campaign, will feature world-class dancers from top ballet companies, including Michaela DePrince of Dutch National Ballet, Jared Matthews and Yuriko Kajiya of American Ballet Theatre, among others.

Thomas Barbèy grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.