Poland's Adrian Meronk, left, celebrates with his partner Melania Bobrowicz during the Australian Open golf championship at Victoria golf course in Melbourne, Australia, Sunday, December 4, 2022. (Photo by Asanka Brendon Ratnayake/AP Photo)

Australian surfer Sally Fitzgibbons rides a wave during the 2023 ISA World Surfing Games at the El Tunco beach in El Salvador on June 6, 2023. (Photo by Marvin Recinos/AFP Photo)

Models present creations by LaQuan Smith at the Intrepid during fashion week in Manhattan, New York City, U.S., September 12, 2022. (Photo by Caitlin Ochs/Reuters)

Morocco's Romain Saiss, right, reacts after teammate Abdelhamid Sabiri, not visible, scored a goal on Belgium's goalkeeper Thibaut Courtois, left, during the World Cup group F soccer match between Belgium and Morocco, at the Al Thumama Stadium in Doha, Qatar, Sunday, November 27, 2022. (Photo by Frank Augstein/AP Photo)

The owner of the zoo Pierre Thivillon laughs next to a chimpanzee on May 17, 2021, at the zoological park of Saint-Martin-la-Plaine, two days ahead of its reopening as part of France's latest step toward the ending of its third nationwide Covid-19 lockdown. (Photo by Jean-Philippe Ksiazek/AFP Photo)

An overview of “Closer”, an art projection by conceptual artist and photographer Wim Tellier, at the King Baudouin Stadium in Brussels on June 15, 2021. Tellier, a Belgian photographer and artist, is known for his installation projects using giant-size photographs. (Photo by James Arthur Gekiere/Belga/AFP Photo)

An abortion rights demonstrator covered in fake blood during an “Abortion is Freedom” rally outside the US Supreme Court in Washington, D.C., US, on Monday, July 4, 2022. Last month the Supreme Court overturned the 1973 Roe v. Wade decision and wiped out the constitutional right to abortion, leaving it to individual states to decide whether abortions are allowed. (Photo by Ting Shen/Bloomberg via Getty Images)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)