Rabbits are seen in a cage, which is placed by authority as a test of the living conditions near the site of last week's blasts at Binhai new district in Tianjin, China, August 19, 2015. According to local media, the animals were alive after being placed near the blasts site for two hours. Four new fires have broken out at the site where two huge blasts last week killed 116 people, Chinese state media reported Friday soon after officials said safety hazards were found at almost 70 percent of firms handling dangerous chemicals in Beijing. (Photo by Reuters/Stringer)

Milena Pino, 15, puts on makeup prior to taking part in a speed competition with horses at the International Livestock Fair Show in Havana March 21, 2015. (Photo by Alexandre Meneghini/Reuters)

Men pull with a rope the body of an Islamic State fighter before burying him near Karamah, south of Mosul, Iraq November 11, 2016. (Photo by Goran Tomasevic/Reuters)

Girls play with live Teacup pigs, a rare pet in the country, at the start of celebrations leading to the Lunar New Year, Friday, February 1, 2019 at Lucky Chinatown Plaza mall in Manila, Philippines. The upcoming Year of the Pig represents abundance, diligence and generosity. (Photo by Bullit Marquez/AP Photo)

A guard secures gates of a catfish farm visited by a group of foreign reporters in Pyongyang, North Korea April 17, 2017. (Photo by Damir Sagolj/Reuters)

Hotel staff practice self-defence skills after a training session given by team member of Special Weapons and Tactics (SWAT) team, in Hangzhou, Zhejiang province, April 7, 2016. (Photo by Reuters/Stringer)

A Dancer, dressed with the traditional Yi costume, waits to perform at the Torch Festival, in Xichang, China's Sichuan province on July 27, 2016. As a result of fast urbanisation in the rural area of China Like Lienchang prefecture, the traditional costume is fading away for the Yi people in daily life. (Photo by Fred Dufour/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)