Hundreds of onlookers descended upon White Rock beach, just south of Vancouver, Canada, on June 12, 2012 to mourn a beached whale that died on the sandy tidal flats. (Photo by Nick Procaylo/PNG/PNG Merlin Archive)

In this November 27, 2019 photo, Wadlande Pierre, right, talks on her mobile phone as she helps her mother, Vanlancia Julien, center, at their fruit and vegetable stand on a sidewalk in Delmas, a district of in Port-au-Prince, Haiti. Pierre, 23, said she temporarily moved in with her aunt in the southwest town of Les Cayes to escape the violent protests in Port-au-Prince. However, she had to move back to the capital because there was no gas, power or water in Les Cayes, and food was becoming scarce. (Photo by Dieu Nalio Chery/AP Photo)

Bonnie Morgan arrives at the LA Premiere of “Rings” at the Regal LA LIVE Stadium 14 on Thursday, February 2, 2017, in Los Angeles. (Photo by Willy Sanjuan/Invision/AP Photo)

In this February 19, 2017 photo, a statue of the Death Saint stands inside Mercy Church as Juan Carlos Avila Mercado gives a service, on the edge of Mexico City's Tepito neighborhood. “She chooses them and has always been with us”, said Avila, who says he is a Catholic priest, but who is not listed among the archdiocese's priests. “We are born and we die with death”. (Photo by Marco Ugarte/AP Photo)

A one-horned rhino walks on the street of Sauraha, a tourism hub in southwest Nepal’s Chitwan district on July 10, 2018. (Photo by Sunil Sharma/Xinhua News Agency/Alamy Stock Photo)

People wearing Christmas hats bath in a pool of watermelon peel during a Christmas service at a hot spring in Luoyang, Henan province, China, December 24, 2016. (Photo by Reuters/Stringer)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)