Mud Madness at the annual Jaffa Cakes charity three-mile run at Foymore Lodge near Portadown this afternoon, on April 13, 2014. A total of a thousand competitors and fun-runners took part in the two races held over the mudstrewn endurance course. (Photo by Alan Lewis/Photopress Belfast)

English actress, television presenter and model Kelly Brook attends the London premiere of Guy Ritchies movie “Snatch” held at the Odeon Leicester Square in London's West End, August 23, 2000. (Photo by Alan Davidson/Rex Features/Shutterstock)

This photo provided by the McKinney Fire Department shows officials at the site of a crash involving a small plane and a vehicle near Aero Country Airport, Saturday, November 11, 2023, in McKinney, Texas. Authorities say a small plane overshot the runway while trying to land at a Texas airport and struck a car that was driving along a nearby road, injuring one person. (Photo by McKinney Fire Department via AP Photo)

A goat begs for food as people have a meal and beer at the Beichelstein-Alpe outdoor restaurant near Seeg, southern Germany, on March 27, 2017. (Photo by Karl-Josef Hildenbrand/AFP Photo/DPA)

Young woman, 20+, with goose bumps, standing on the beach, Niendorf at the Baltic Sea, Schleswig-Holstein, Germany, Europe on September 1, 2016. (Photo by Alamy Stock Photo)

A baby elephant eats in a swamp in Amboseli national park, Kenya, March 19, 2017. (Photo by Goran Tomasevic/Reuters)

Thailand’s Sanctuary of Truth is an all-wood building filled with sculptures based on traditional Buddhist and Hindu motifs. It is covered in intricate wood carvings, meant to depict complex ideas about ancient thought, human responsibility, and the cycle of life. (Photo by Yury Taranik/Getty Inages)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.