Libya's leader Muammar Gaddafi attends a meeting with Italian President Giorgio Napolitano at the Quirinale Palace on June 10, 2009 in Rome, Italy. Colonel Gaddafi is in Rome to attend a meeting of G8 Development Ministers. (Photo by Franco Origlia/Getty Images). ROME – JUNE 10

Robbie Lee of Team Great Britain competes in the Men's 10m Platform Preliminaries on day 23 of the Singapore 2025 World Aquatics Championships at OCBC Aquatic Centre on August 02, 2025 in Singapore. (Photo by Adam Pretty/Getty Images)

A hot air balloon in tortoise shape flies in the air during the Tazaungdaing air balloon festival in Pyin Oo Lwin, Myanmar, 25 November 2015. During the festival, hot air balloons made of multicolored papers and hung with paper lanterns, fireworks and fire sticks are exploded in mid-air. (Photo by Hein Htet/EPA)

The antennas of the European Southern Observatory's Atacama Large Millimeter/Submillimeter Array, also known as ALMA, are set against the splendor of the Milky Way in this picture by Babak Tafreshi. Construction of the full ALMA array is due to be completed in Chile's Atacama Desert in 2013, but the facility is already making scientific observations with a partial array of antennas. (Photo by ESO/B. Tafreshi/TWAN)

Belgian model Stella Maxwell arrives for the screening of the film “The Idol” during the 76th edition of the Cannes Film Festival in Cannes, southern France, on May 22, 2023. (Photo by Sarah Meyssonnier/Reuters)

A political billboard by the artist Karen Fiorito satirising Donald Trump and Elon Musk in Phoenix, US on March 12, 2025. The artwork, titled Twitler and Putin’s Puppet Do Washington, depicts Musk as a puppet master controlling Trump. The artwork on the other side, Liar in Chief, references Project 2025, a conservative proposal to overhaul the federal government. (Photo by Eduardo Barraza/ZUMA Press Wire/Rex Features/Shutterstock)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A guard secures gates of a catfish farm visited by a group of foreign reporters in Pyongyang, North Korea April 17, 2017. (Photo by Damir Sagolj/Reuters)