A drone view shows the Folkestone White Horse with a red nose that has been placed to make the landmark overlooking the town look like Rudolph the Red-Nosed Reindeer ahead of Christmas, in Folkestone, Britain, on December 19, 2024. (Photo by Chris J. Ratcliffe/Reuters)

(L-R) Giselle, Ningning, Karina and Winter of South Korean girl group aespa attend the 2025 Billboard Women in Music at YouTube Theater on March 29, 2025 in Inglewood, California. (Photo by Amy Sussman/Getty Images)

American media personality and singer Dixie D'Amelio, wearing Gucci, attends the 2025 LACMA Art+Film Gala, Presented By Gucci at Los Angeles County Museum of Art on November 01, 2025 in Los Angeles, California. (Photo by Amy Sussman/Getty Images for LACMA)

American media personality and socialite Kim Kardashian attends the 2024 LACMA Art+Film Gala at Los Angeles County Museum of Art on November 02, 2024 in Los Angeles, California. (Photo by Alberto E. Rodriguez/WireImage)

A swarm of starlings flies over the Altare della Patria monument (Unknown soldier) in the city centre of Rome during sunset, on November 27, 2018. (Photo by Vincenzo Pinto/AFP Photo)

LOCOG Chair and former Olympian Lord Sebastian Coe holds a prototype design of the new golden Olympic Torch during its unveiling at St Pancras Station on June 8, 2011 in London, England. (Photo by Dan Kitwood/Getty Images)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.