Bob Steele, of Jefferson, Texas, positions his bears during The Great Bear Show at the Dubuque (Iowa) County Fair on July 25, 2012. (Photo by Jessica Reilly/Telegraph Herald)
“Michael Mathias Prechtl (April 26, 1926, Amberg – March 19, 2003, Nuremberg) was a German artist, illustrator and cartoonist. He served as a soldier on the Eastern Front during World War II and spent 1945-49 as a prisoner of war in the Soviet Union”. – Wikipedia
Photo: “Der Gestiefelte Kater (Puss in Boots)”, 1997. Artwork by Michael Mathias Prechtl
Horse racing commentator Joanne Mathews takes a break from the horses and has some fun with a local pig. 22nd March 1956. (Photo by John Pratt/Keystone Features). P.S. All pictures are presented in high resolution.
A soldier of the French Foreign Legion holding his regiment's banner at Bar Hacheim in Libya, circa 1940. (Photo by Three Lions). P.S. All pictures are presented in high resolution.
George Chamoun creates a visual mashup of two different Hollywood eras. The name Iconatomy is coined from the words "icon" (starts, celebrities, etc) and "anatomy". It took Chamoun a lot of time and energy trying to find two perfect photographs to digitally pair together. The results are in no way morphed, but collaged together to create an iconic symbol of looks, fortune and fame.
Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.
An image of a breaching whale is projected on a screen created by a water fountain during the Odaiba water illumination show in Tokyo. The show, which projects images of whales, sharks, tropical fish and Easter Island statues on a water screen 23 meters tall and 60 meters wide, will be held through April 11.
The images in Jessica Hilltout‘s Amen tell a gripping story of the joy soccer provides for Africa’s less fortunate. Inspired by her father, Hilltout set off to photograph soccer in Africa in all its shapes and sizes, coming to the conclusion that “the beautiful game exists in its purest form in what I saw — people playing for the joy of playing.”