A young migrant cries as she waits to cross the Greek-Macedonian border, near the village of Idomeni, Greece March 3, 2016. Thousands of refugees and migrants wait on the border between Greece and Macedonia and about 30,000 refugees and other migrants are stranded in Greece, with 10,000 at the Idomeni border crossing to Macedonia. (Photo by Marko Djurica/Reuters)

Labourers work at the installation site of Liquefied Petroleum Gas (LPG) pipeline on May Day or Labour Day in Chandigarh, India, May 1, 2015. (Photo by Ajay Verma/Reuters)

A woman carries a bag with a baby while being evacuated by local emergencies ministry members in Donetsk, Ukraine, February 2, 2017. (Photo by Alexander Ermochenko/Reuters)

A participant in costume uses a mobile phone at a Halloween event in Kawasaki, south of Tokyo, Japan October 29, 2017. (Photo by Kim Kyung-Hoon/Reuters)

Actor Mike Lane, standing six feet 10 inches in his stocking feet, makes a perfect monster as he carries actress Nancy Knox down the stairs into Frankenstein's dungeon, February 28, 1958. They have featured parts in the upcoming Boris Karloff movie “Frankenstein 1970”. (Photo by David F. Smith/AP Photo)

In this picture taken late on June 13, 2017, physiotherapist Masayuki Ozaki takes a bath with his silicone s*x doll Mayu at a love hotel in Yachimata, Chiba prefecture. Around 2,000 of the life- like dolls – which cost around 6,000 USD and come with adjustable fingers, removable head and life- like genitals – are sold each year in Japan, according to industry insiders. (Photo by Behrouz Mehri/AFP Photo)

A Pakistani owner tries to load camel on a truck at a cattle market set up for the upcoming Muslim festival Eid al-Adha in Karachi, Pakistan, Friday, August 17, 2018. Eid al-Adha, or Feast of Sacrifice, most important Islamic holiday marks the willingness of the Prophet Ibrahim (Abraham to Christians and Jews) to sacrifice his son. (Photo by Shakil Adil/AP Photo)

Miss Lovely Legs competition at the Pick 'n Pay hypermarket in Boksburg, South Africa, 1980. (Photo by David Goldblatt/Museum of Contemporary Art Australia)