A young woman shows off her henna tattoos at the end of Eid al-Fitr prayers in Bucharest, Romania, Wednesday, April 10, 2024. Members of the Romanian Muslim community joined prayers at the Dinamo stadium in the Romanian capital, in the largest Muslim public gathering of the year. Eid al-Fitr marks the end of the holy fasting month of Ramadan. (Photo by Andreea Alexandru/AP Photo)

The November 2018 Square Print Sale, presented by Magnum Photos and Aperture, brings together over 100 images to explore perspectives on transition and transformation in photography. Here: New York City, 1965, by Joel Meyerowitz. “A girl on a Vespa on her way to who knows where, when the light stopped her at the 72nd street crossing near the Dakota, where John Lennon would one day cross paths with his fate. She takes this moment to finesse a fingernail before she resumes her downtown journey, while I, stopping at the same crossing, but on foot, leap into the street to capture this vision of a dream girl before time takes her on her way”. (Photo by Joel Meyerowitz/Courtesy Aperture)

Fascist youth, both boys and girls, in the rebel uniforms in Irun after the city had been captured by the rebels. (Photo by Maeers/Fox Photos/Getty Images). 13th November 1936

Fuse TV VJ's Marianela and Juliya attend the store opening of “Nigo's A Bathing Ape” with Pharrell Williams January 11, 2005 in New York City. (Photo by Paul Hawthorne/Getty Images)

“Anime Expo, abbreviated AX, is an American anime convention held in Los Angeles, California and organized by the non-profit Society for the Promotion of Japanese Animation (SPJA)”. – Wikipedia. (Photo by Jim3535)

Photographer Alexander Lepeshkin spends whole nights at Clumba parties, or costume parties where the young creatives of Russia put on their most flashy and drink. His photos capture candid moments of alcohol-enhanced connections and collapses, but he says he’s not a party photographer – he’s a youth photographer. Photo: A Loshadka party in St. Petersburg, 2010. (Photo by Alexander Lepeshkin)

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.