A wounded protester is attended before being rushed to a vehicle following violence in Independence Square in Kiev February 20, 2014. Ukrainian protesters seized back Kiev's Independence Square in fresh clashes with riot police on Thursday that left several injured and possibly two demonstrators dead. (Photo by Konstantin Chernichkin/Reuters)

32 year old Mahada Khatum repairs a fishing net outside her home in the Shamalapur Rohingya refugee settlement on April 11, 2014 in Chittagong district, Bangladesh. Some years ago she escaped violence and discrimination from the Zomgara Baharchara village in the Meherulla district of Myanmar. (Photo by Getty Images/Stringer)

Ukrainian law enforcement officers restrain an activist of women's rights group Femen, who holds a protest outside the presidential administration headquarters while marking the International Day for the Elimination of Violence against Women in Kyiv, Ukraine on November 25, 2020. (Photo by Valentyn Ogirenko/Reuters)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

The Atlantic Puffin is definitely a curious-looking bird. The special coloring that this bird develops for the breeding season in the spring is very reminiscent of tropical birds. The bright colors of the beak and the markings around the eyes serve no particular advantage and have evolved as a result of sexual selection. However, Puffins don’t look that pretty all year round. They shed all these festive colors in partial moult after the breeding season is over. They lose the ornaments around their eyes, their face becomes darker, and their beak becomes very different. The natural habitat of these birds is the cold waters of the North Atlantic Ocean.

Fifty years ago, as France exploded in mass protests, words scrawled on the walls of the Sorbonne summed up the revolutionary zeal of the time: “Run free, comrade, we’ve left the old world behind!”. Sexual liberation, artistic creativity and anti-capitalism were the order of the day. For those who were there, it was an unforgettable time. Here: A wounded student is transported by first-aid workers during riots on the Boulevard Saint-Michel, Paris, France on May 6, 1968. (Photo by Gökşin Sipahioğlu/SIPA Press)

An Acehnese women is whipped in front of the public for violating sharia law in Pidie District on 14 July 2017, Aceh, Indonesia. Aceh is the only one province in Indonesia which has implemented sharia law, which bans sexual contact between men and women who are not married. Whipping is one form of punishment imposed in Aceh for violating Islamic sharia law. (Photo by Oviyandi/Barcroft Images)