Many of the 12 million people who entered the US through New York’s Ellis Island wore traditional dress from their homelands. Here: A Ruthenian woman circa 1906 from the region historically inhabiting the kingdom of the Rus, incorporating parts of modern-day Slavic speaking countries. Her outfit consists of a shirt and underskirt made from linen embroidered with traditional floral-based patterns. (Photo by Augustus Francis Sherman/New York Public Library/The Guardian)

A pro-democracy protester wears a hat in the shape of a yellow rubber duck, which has become a recent symbol for the ongoing protests, during an anti-government rally in Bangkok on November 22, 2020. (Photo by Lillian Suwanrumpha/AFP Photo)

“People of the River”. This is a Karo tribe family; father, mother, two sisters and two brothers. The tribe, who live along the Omo River in east Africa, incorporate rich symbolism into their rituals by using ornate body art, headdresses and body scarification to express beauty and significance. (Photo by Jatenipat Ketpradit/International Portrait Photographer of the Year)

A woman walks past posters bearing the letter “Z” in the colours of the ribbon of Saint George, which has become a symbol of support for Russian military action in Ukraine, and reading “We are proud of Russia! We are not ashamed!” at a bus stop on Nevsky Prospekt in central Saint Petersburg on March 15, 2022. (Photo by AFP Photo/Stringer)

Escorts of city prince Stefan I on their way to the key transfer for carnival in Maastricht, Netherlands on February 18, 2023. City prince Stefan I symbolically gains power over the city for three days. (Photo by Hollandse Hoogte/Rex Features/Shutterstock)

Paul Bond's art lives in the spaces between dreaming and reality. Drawing from the Latin American genre of Magic Realism where symbolic, surreal and fantastic elements blend with realistic atmospheres, they remove the veil on a world where everything is possible.

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)

Dried and shrivelled corpses, some fully clothed and some in coffins, line the wall of a vault of the Pantheon Cemetery on the summit of Cerro del Trozado in Mexico. They were removed from the crypts because of non-payment of cemetery fees. The hot dry air stopped the bodies from rotting. Most of them were placed here between the turn of the century and WW I. (Photo by Three Lions/Getty Images). Circa 1955