People wearing Christmas hats bath in a pool of watermelon peel during a Christmas service at a hot spring in Luoyang, Henan province, China, December 24, 2016. (Photo by Reuters/Stringer)
A mock-up of a typical British suburban home is seen sinking into the River Thames, in a protest by Extinction Rebellion to demand faster government action on climate change in London, Britain on November 10, 2019. (Photo by Extinction Rebellion/Handout via Reuters)
Cosplay fans attend the Animation Comic Games (ACG) Culture Festival in Xi'an, capital of northwest China's Shaanxi Province, May 28, 2017. The festival kicked off on Saturday, attracting lots of cosplay fans. (Photo by Liu Xiao/Xinhua)
Japanese artist Mami Kiyoshi has spent 15 years creating vivid portraits of people surrounded by their belongings – from wine bottles and violins to the odd stray pet. Mami Kiyoshi’s ongoing series “New Reading Portraits” is, in part, a nod to the mise-en-scène found in traditional woodcut printing. Here: Sakura and Kazuhiro, Tokyo, 2015. (Photo by Mami Kiyoshi/Galerie Annie Gabrielli/The Guardian)
Little Mix star Leigh-Anne Pinnock, 30, attends the “Boxing Day” World Premiere at The Curzon Mayfair on November 30, 2021 in London, England. (Photo by Karwai Tang/The Sun)
A fisherman brings his catch ashore from the Deduru Oya Reservoir, where giant snakeheads have become an invasive species in Walpaluwa village, Sri Lanka, Thursday, October 30, 2025. (Photo by Eranga Jayawardena/AP Photo)
“In 1967, Zhang Yaxin was 34 and working as a photojournalist at China’s state-controlled Xinhua News Agency when he was assigned to a top-secret government project. He was to be the official photographer of a new arts program led by Chairman Mao and his wife – the Model Operas. Though he was not to know it then, Zhang would spend the next seven years documenting the evolution of one of the most dramatic and elaborate attempts to redefine artistic sensibilities in modern art history”. – Chengcheng Jiang via TIME. Photo: Raid on the White Tiger Regiment, 1971. (Photo by Zhang Yaxin/Courtesy See+ Gallery, Beijing)