A frightened maid, played by Phoebe Hodgson, knocks a bust off a tall pedestal while dusting, in a scene from the play “Queen High” at the Queen's Theatre. (Photo by Sasha/Getty Images). 1926

Nikolai Tolstyh takes photos of paper animal silhouettes in a natural setting. The combination is surprisingly perfect: the surroundings provide both color for the cutout and a scene to frame the animal.

Canadian painter Rob Gonsalves surrealistic paintings portrays two seemingly different realistic scenes magically merging into one. As a result, the term "Magic Realism" describes his work accurately.

Participants of the the goth festival “Wave Gothic Festival” walk in fancy costumes along the festival area in Leipzig, central Germany, Saturday, May 23, 2015. About 20,000 members of the scene are expected to attend one of the world's largest gothic and “dark” culture festivals until May 25, 2015. (Photo by Jens Meyer/AP Photo)

An actor plays an injured passer-by during Exercise Strong Tower, the scene of a mock terror attack at a disused underground station in central London, Britain June 30, 2015. London police held their biggest-ever terrorism drill on Tuesday, pitting the emergency services against a group of marauding attackers, nearly 10 years since four young British Islamists killed 52 people in suicide bombings on London's transport network in July 2005. (Photo by Peter Nicholls/Reuters)

A view of the scene of a train accident after two commuter trains collided head-on near the town of Andria, in the southern region of Puglia, killing several people, Tuesday, July 12, 2016. (Photo by Luca Turi/ANSA via AP Photo)

Emergency responders respond to the scene of a 565-foot-tall crane that toppled and flipped upside down, stretching along nearly two city blocks in downtown Manhattan in New York, February 5, 2016. The massive construction crane collapsed in lower Manhattan during a swirling snowstorm on Friday, killing one person and crushing a line of parked cars in the first accident of its kind in New York City since 2008. (Photo by Brendan McDermid/Reuters)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)