In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

If the most popular foods of Rio de Janeiro have one thing in common, it is their informality. You can find fine restaurants in the city, but they do not set Rio apart from other places. What does set it apart, and what invariably brings its residents, known as "Cariocas," together is the unpretentious food they eat in bright, loud, crowded bars and restaurants, on busy street corners, or after a day at the beach. Here: A view of traditional bolinhos de bacalhau (fried codfish balls) in Rio de Janeiro, Brazil, May 7, 2016. (Photo by Sergio Moraes/Reuters)

Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.

A set of pictures taken by Kellie Netherwood on the northern-most island located in the Inner Hebrides of Scotland perfectly captures the spirit of the Scots: wild, free, and majestic. It is no wonder that Scottish people fought tooth and nail to gain their independence all throughout their history. The green fields, rocky hills, and the beautiful waterfalls all sing to the spirits of the Scots, instilling pride into everyone who considers this place to be their motherland. However, no matter what your origin may be, you cannot help being fascinated by the beauty of these landscapes, drawn to them as if by a powerful force. (Photo by Kellie Netherwood)

These pictures, made by Joel Strong, look as if a giant hand is pinching the head of a poor Leo. Leo, however, is oblivious to this fact and continues on with his life, taking on a role of everyone from an old granny to a young lady. Thanks to Joel’s skill and sense of humor, the cut out heads of Leonardo DiCaprio, taken from 90s magazines, fit perfectly into the new scenes. If seeing young Leo with a body of an old granny or a fat, half-naked guy in the park doesn’t strike you as funny, we don’t know what will. (Photo by Joel Strong)

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

These ink-redible, explosive masterpieces are like say-what-you see inkblots tests only in water. The vibrant colors burst from Brian Tomlinsons works, appearing as though they may be coloured ash clouds from an erupting volcano, rather than simply everyday substances. By doing so, Brian challenges viewers to identify what images can be imagined when mixing one fluid with another. In order to shoot the series, entitled Liquid Ink Art, Brain, 40, drops different coloured inks into a fish tank full of water before capturing high-speed shots with a flash. Here: Brian Tomlinsons ink artwork. (Photo by Brian Tomlinsons/Caters News Agency)

This year's Republican National Convention and Democratic National Convention both saw passionate delegates in outrageous costumes – but that's where the similarities mostly end. Reuters photographer Jim Young gives a look at what it's like to be on the convention floor and talks to the delegates who make the conventions memorable. (Photo by Jim Young/Reuters)