Baylor's DiJonai Carrington shoots past UConn's Paige Bueckers during the second half of an NCAA college basketball game in the Elite Eight round of the Women's NCAA tournament Monday, March 29, 2021, at the Alamodome in San Antonio. (Photo by Morry Gash/AP Photo)

Rihanna and Drake perform at the BRIT Awards at the O2 arena in London, Britain, February 24, 2016. (Photo by Stefan Wermuth/Reuters)

Tokyo DisneySea at Urayasu, Chiba prefecture, is holding Christmas festivities each night until December 25, 2012. At neighboring Tokyo Disneyland, the Christmas Fantasy parade is held twice daily at the theme park. (Photo by Disneyland)

Jaime Winstone poses the Netflix BAFTA after party at Chiltern Firehouse on February 2, 2020 in London, England. (Photo by David M. Benett/Dave Benett/Getty Images for Netflix)

A reveller, covered in mud, chats with friends during the Glastonbury Festival at Worthy Farm in Somerset, Britain, June 26, 2015. The outdoor festival runs from 24 to 29 June. (Photo by Dylan Martinez/Reuters)

A man selling bags of water is seen at a taxi parking bay lined with campaign posters in the district of Lingwala in Kinshasa on December 18, 2018. Democratic Republic of Congo goes to the polls on December 23, 2018 in elections which could see the country emerge from 17 years of conflict-ridden rule under controversial President Joseph Kabila. (Photo by John Wessels/AFP Photo)

Tony Appleton, a town crier, announces the royal birth outside the Lindo Wing of St Mary's Hospital after Catherine, Duchess of Cambridge gave birth to a baby boy in central London July 22, 2013. Prince William's wife Kate gave birth on Monday to a baby boy, in the Lindo Wing of St Mary's Hospital, who becomes third in line to the British throne, his office said. The royal baby, the couple's first child, was born at 4:24 p.m. (15:24 GMT), weighing 8 lbs and 6 oz. (Photo by Lefteris Pitarakis/Associated Press)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.