Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

A person looks at Theresa Chromati's “steadfast, step into me (allow silence to create the sounds you desire most)”, which is part of Frieze Sculpture, in Regent's Park, in London, Britain on September 18, 2024. (Photo by Mina Kim/Reuters)

Shortlisted: Pooyan Shadpoor, Houcheraghi. While walking along the shore of Larak, Iran – an island in the Persian Gulf – Shadpoor came across this luminous scene. The “magical lights of (the) plankton ... enchanted me so that I snapped the shot”, he writes. (Photo by Pooyan Shadpoor/2016 EPOTY)

Images from my travels with John Paul Caponigro in the spring of 2011. During that week JP inspired me to create this body of work. This is my path, my pathways in arches.

“I was doing some event shooting for Bar One's Beer And Wine garden. I was working with these two ladies when all of a sudden I hear an "excuse me” and I see dude step into the frame right when I pressed the shutter button!” (Photo by 17thletter Photography)

Take me away, deer, Russia. The Nenet people of Arctic Russia use reindeer and sledges as a prime mode of transport. The animals’ navigational ability means that in severe conditions they are sometimes the only hope of survival. (Photo by Kamil Nureev/Smithsonian Photo Contest)

French photographer Bettina Rheims poses next to her work, two days before the opening of her exhibition “Pourquoi m'as-tu abandonnée ?” (Why did you abandon me?) at the Museum of Photography Charles Negre, in Nice on June 13, 2024. (Photo by Valery Hache/AFP Photo)