Joe Bagley is a paper artist who lives in Boston. All of his designs are original works, and each is cut by hand. No lasers, dies, or prints!

hello! finally I got together all my energy leftovers from the day to write a journal entry... and stright to the point about commission works, yup those are still CLOSED. at this point I'm trying to take more time just to draw and paint for myself ( just like in childhood times haha ). whenever I will feel like opening more personal commission work slots I will definitely let you all know ( just in case I must warn about a little price rise, yup o; ). sooner or later I will open few slots this year!

“Annelies Marie “Anne” Frank (12 June 1929 – early March 1945) was one of the most renowned and most discussed Jewish victims of the Holocaust. Acknowledged for the quality of her writing, her diary has become one of the world's most widely read books, and has been the basis for several plays and films”. – Wikipedia

Photo: Childrens watch the wax figure of Anne Frank and their hideout reconstruction at Madame Tussauds on March 9, 2012 in Berlin, Germany. (Photo by Andreas Rentz/Getty Images)

These tiny worlds created in a tiny glass bottle, literally, are the work of Akinobu Izumi. Akinobu uses paper, clay, wax and resin among other materials to create these intricate miniature worlds.

Charlotte Roirdan from Lyon & Turnbull views a letter written by Mary Queen of Scots on March 8, 2012 in Edinburgh, Scotland. The 450 year old letter, unearthed in Blair Castle in Ayrshire, has been verified as the hand writing of Mary Queen of Scotts and has been valued at 3,000 GBP. The letter, dated March 20, 1554, relieves the then laird of Blair from his duties due to gout and will be put up for sale next week at an auction in Edinburgh. (Photo by Jeff J. Mitchell/Getty Images)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)