Children play with their pet Hamster at a street in Kochi on March 29, 2021. (Photo by Arun Sankar/AFP Photo)

Palestinians gather at the beach in Israel's coastal city of Tel Aviv on June 29, 2023 on the second day of the Eid al-Adha Muslim holiday. (Photo by Menahem Kahana/AFP Photo)

Alluvial Fan, China. A vast alluvial fan blossoms across the desolate landscape between the Kunlun and Altun mountain ranges that form the southern border of the Taklimakan Desert in China’s XinJiang Province. Image taken by the ASTER instrument on NASA’s Terra satellite on May 2nd, 2002. (Photo by NASA/GSFC/USGS EROS Data Center)

In this June 20, 2015 photo, Niberta Galvez uses the bottom half of his shirt to collect coca leaves in Samugari, Peru. Coca farmers were among the locals who, in 1984, formed citizen militias to help the military beat back Shining Path rebels, reducing them to a small group of fewer than 500 who now are deeply involved in drug trafficking. (Photo by Rodrigo Abd/AP Photo)

Rajesh Babu, a police officer, wearing a helmet depicting coronavirus, requests a commuter to stay at home during a 21-day nationwide lockdown to limit the spreading of coronavirus disease (COVID-19), in Chennai, India, March 28, 2020. (Photo by P. Ravikumar/Reuters)

Third place: the rear leg, claw and respiratory trachea of a louse (Haematopinus suis). (Photo by Frank Reiser/Nassau Community College/Nikon Small World Photomicrography 2021)

Liu Yang, China's first female astronaut, waves during a departure ceremony at Jiuquan Satellite Launch Center, on June 16, 2012. (Photo by Jason Lee/Reuters via The Atlantic)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)