A contestant prepares backstage before the final show of the Miss International Queen 2018 transgender beauty pageant in Pattaya, Thailand March 9, 2018. Twenty-seven international contestants are participating in the annual beauty contest for transgender women which aims to promote the tourism industry in the resort city of Pattaya and create a positive image of transgender people. (Photo by Soe Zeya Tun/Reuters)

An albino woman adjusts her costume backstage as she and others wait for their fashion show during the Mr. & Miss Albinism East Africa contest in Nairobi, Kenya, 30 November 2018. Hudreds of abino men, women and children participated in the contest to raise awareness on discrimination and stigma against albinism in the region. (Photo by Dai Kurokawa/EPA/EFE)

A busy rush hour sees thousands of commuters climbing on board a train – as well as holding onto its sides and sitting on the roof before it speeds off. Men, women and children climb and are pulled up onto the roof of the train, which is around 12ft (3.6m) high, as they try to find themselves a space. With no seats available inside, many commuters decide to take the risk and choose a rooftop view for their journey out of Dhaka city, in Bangladesh. (Photo by Yousuf Tushar/Solent News & Photo Agency)

In one of the best collaborations this blog has seen in ages, professional illustrator Mica Angela Hendricks has been collaborating with her 4-year-old daughter on a series of wonderful drawings that pass back and forther between mother and daugher until reaching an always unexpected final form. Each drawing begins with Hendricks drawing a detailed retro-ish head, after which her daughter snatches away the sketchbook to create rudimentary body (or animal!) parts as well as other random details. Afterward Hendricks goes back in to polish things up a bit and behold: dinosaur women, slug ladies, and beaver astronauts are born.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

“Bread and Shutter” Studio is presenting us with a set of vivid photos that immediately catch our attention with their Eastern feel. They were probably attempting to make a joke with their “East Meets West” photo, were a girl’s burka is made of what looks like leather jacket with a steel zipper; however, in our humble opinion, it wasn’t a very good one. Nevertheless, other photos in this set are quite sensual and mystifying, creating the impression that these women came to us from never before seen lands and fairytales. (Photo and caption by “Bread and Shutter” Studio)

A woman swings a child around a fire, where an effigy of the demon Ghantakarna was burnt to symbolize the destruction of evil, during the Ghantakarna festival at the ancient city of Bhaktapur, Nepal August 12, 2015. According to local folklore, the demon is believed to “steal” children and women from their homes and localities. (Photo by Navesh Chitrakar/Reuters)

“Sangoma” initiate Dipuo Banda (C) is led out of her teachers shack while she remains in a trance like state prior to dancing during her 3 day initiation ceremony with her teacher, family, friends and students in the Alexandra Township in Johannesburg, South Africa, 14 May 2021. Sangomas, the Zulu term for Medicine Women or traditional healers, fulfill different social and political roles in the community, including divination, physical healing, emotional and spiritual illnesses, directing birth or death rituals and finding lost cattle. (Photo by Kim Ludbrook/EPA/EFE)