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Raka Soko, a traditional healer and Poro society member is deep in prayer while holding a broom and a bottle filled with spiritual wine that is purified to show gratitude to the gods before a ceremony in Waterloo on November 26, 2018. Standing across the field from him another member, Amos Nicol, holds a statue of the spiritual god Sama Yorbu which is used to communicate directly to other gods for permission to perform. (Photo by Lynn Rossi/AFP Photo)

Raka Soko, a traditional healer and Poro society member is deep in prayer while holding a broom and a bottle filled with spiritual wine that is purified to show gratitude to the gods before a ceremony in Waterloo on November 26, 2018. Standing across the field from him another member, Amos Nicol, holds a statue of the spiritual god Sama Yorbu which is used to communicate directly to other gods for permission to perform. (Photo by Lynn Rossi/AFP Photo)
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07 Aug 2019 00:01:00


Paint splattered police officers look on during clashes outside Top Shop on Oxford Street, during marches in protest at government cuts on March 26, 2011 in London, England. Thousands are taking part in the Trades Union Congress (TUC) organised march to Hyde Park where a rally will take place. Police say they are deploying 4500 officers. (Photo by Dan Kitwood/Getty Images)
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28 Mar 2011 08:52:00
The American artist’s work encompasses fashion, photography and film with characteristically vivid colour and unsettling theatricality. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)
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15 Jun 2018 00:01:00
Writing about the Ambassador, the art critic Robert Melville said it was “the most daring and enterprising trade journal ever conceived … No other magazine … has so consistently and brilliantly demonstrated the relevance of works of art to the problems of industrial design”. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)

“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)
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31 Mar 2018 00:05:00
Eight year-old Maya Mohammad Ali Merhi walks using prosthetic legs made by her father from tin cans in a camp for displaced people, in the northern Syrian province of Idlib on June 20, 2018. Maya and her father were both born without lower limbs. Unable to afford real prosthetic limbs, her father made her a pair out of tin cans filled with cotton and scrap pieces of cloth. Maya's family had to leave their home in the Aleppo province to flee battles. (Photo by Aaref Watad/AFP Photo)

Eight year-old Maya Mohammad Ali Merhi walks using prosthetic legs made by her father from tin cans in a camp for displaced people, in the northern Syrian province of Idlib on June 20, 2018. Maya and her father were both born without lower limbs. Unable to afford real prosthetic limbs, her father made her a pair out of tin cans filled with cotton and scrap pieces of cloth. Maya's family had to leave their home in the Aleppo province to flee battles. (Photo by Aaref Watad/AFP Photo)
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09 Aug 2018 00:01:00
In this August 24, 2018 photo, Changlair Aristide pauses for a portrait, wearing his protective clothing, including an old U.N. peacekeeper's jacket he found in the trash, before scavenging the Truitier landfill in the Cite Soleil slum of Port-au-Prince, Haiti. Before 2004, Aristide recalled having enough money to splurge on shoes, T-shirts and pants, but this year he could not buy his kids anything new for the school year. “Life is like that, up and down”, Aristide said. “They'll go to school anyway, even if I have to sell my pig. I love them”. (Photo by Dieu Nalio Chery/AP Photo)

In this August 24, 2018 photo, Changlair Aristide pauses for a portrait, wearing his protective clothing, including an old U.N. peacekeeper's jacket he found in the trash, before scavenging the Truitier landfill in the Cite Soleil slum of Port-au-Prince, Haiti. Before 2004, Aristide recalled having enough money to splurge on shoes, T-shirts and pants, but this year he could not buy his kids anything new for the school year. “Life is like that, up and down”, Aristide said. “They'll go to school anyway, even if I have to sell my pig. I love them”. (Photo by Dieu Nalio Chery/AP Photo)
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03 Oct 2018 00:03:00
In this photo taken Wednesday, December 5, 2018, a woman who scavenges recyclable materials from garbage for a living is seen through a cloud of smoke from burning trash, surrounded by Marabou storks who feed on the garbage, at the dump in the Dandora slum of Nairobi, Kenya. As the world meets again to tackle the growing threat of climate change, how the continent tackles the growing solid waste produced by its more than 1.2 billion residents, many of them eager consumers in growing economies, is a major question in the fight against climate change. (Photo by Ben Curtis/AP Photo)

In this photo taken Wednesday, December 5, 2018, a woman who scavenges recyclable materials from garbage for a living is seen through a cloud of smoke from burning trash, surrounded by Marabou storks who feed on the garbage, at the dump in the Dandora slum of Nairobi, Kenya. As the world meets again to tackle the growing threat of climate change, how the continent tackles the growing solid waste produced by its more than 1.2 billion residents, many of them eager consumers in growing economies, is a major question in the fight against climate change. (Photo by Ben Curtis/AP Photo)
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14 Jan 2019 00:01:00
A pregnant woman poses on June 19, 2018 in Vertou, western France. France had an estimated population of 68.4 million by January 1, 2024, representing a further year-on-year increase of 0.3 percent, limited by a marked drop in the birth rate, the INSEE national statistics bureau of France reported on January 16, 2024. In 2023, 678,000 babies were born in France, 6.6 percent fewer than the previous year, the lowest number of births in any year since 1946. Over the same period, there were 631,000 deaths, down 6.5 percent on 2022, a year marked by the consequences of the Covid-19 pandemic and episodes of extreme heat. (Photo by Loic Venance/AFP Photo)

A pregnant woman poses on June 19, 2018 in Vertou, western France. France had an estimated population of 68.4 million by January 1, 2024, representing a further year-on-year increase of 0.3 percent, limited by a marked drop in the birth rate, the INSEE national statistics bureau of France reported on January 16, 2024. In 2023, 678,000 babies were born in France, 6.6 percent fewer than the previous year, the lowest number of births in any year since 1946. Over the same period, there were 631,000 deaths, down 6.5 percent on 2022, a year marked by the consequences of the Covid-19 pandemic and episodes of extreme heat. (Photo by Loic Venance/AFP Photo)
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27 Feb 2024 07:29:00