A street performer dressed up as a waiter performs for at Marques de Larios street in downtown Malaga, Spain, July 4, 2016. (Photo by Jon Nazca/Reuters)

Masked women shout slogans during a demonstration marking the Latin American Day for Decriminalization of Therapeutic Abortion in Managua, Nicaragua, where abortions are illegal, on September 28, 2012. (Photo by Esteban Felix/Associated Press)

A minaret, that was damaged during fighting between Islamic State jihadists and government forces, is seen in Ben Guerdane, near the Libyan border, Tunisia April 10, 2016. After a U.S. air strike killed a Tunisian jihadist commander in western Libya in late February, dozens of Islamic State fighters sneaked across the border into Tunisia and attacked an army barracks and police bases in the town of Ben Guerdane. (Photo by Zohra Bensemra/Reuters)

A woman browses through kimonos for sale at Boroichi flea market in Tokyo December 15, 2014. In the 16th century, Boroichi was a place for farmers to buy and sell rags, known as boro, for mending clothes and weaving sandals. Now in its 436th year, the original spirit lingers, with about 700 stands hawking fabric, used clothes and piles of rags. Others sell kitchen tools, pottery, seaweed and spices. About 200,000 people flock to the market, which is only open for four mid-winter days a year – two in December and two in January. (Photo by Thomas Peter/Reuters)

Policemen look at a wax figure of Rowan Atkinson, dressed as his popular television character Mr. Bean, on display outside a wax figure museum in Guangzhou, Guangdong province, August 24, 2014. (Photo by Alex Lee/Reuters)

Saraa Mutawkil (R), 18, practises boxing at Al Rabie club in Omdurman May 10, 2016. (Photo by Mohamed Nureldin Abdallah/Reuters)

Members of a cheerleading team warm- up during the Russian Cheerleading Championship of students in Moscow on November 20, 2016. (Photo by Natalia Kolesnikova/AFP Photo)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)