Michael Cimino, Amanda Diaz and Xochitl Gomez attend the world premiere of “The Flash”, in Hollywood, Los Angeles, California, U.S., June 12, 2023. (Photo by Mike Blake/Reuters)

A girl rests while ferrying water as Palestinians leave Beit Hanun in the northern Gaza Strip with their belongings, heading towards Gaza City following Israeli evacuation orders on March 19, 2025. The Israeli military dropped leaflets warning residents of what it called “combat areas” in the north and south of the besieged Palestinian territory, after Israel resumed air strikes following a ceasefire breakdown. (Photo by Bashar Taleb/AFP Photo)

A young festivalgoer jumps to burst a bubble at Latitude Festival at Henham Park, Britain, July 22, 2021. (Photo by Peter Cziborra/Reuters)

A dragon mask for the upcoming Lunar New Year hangs on the wall at Lily Hambali's and lion masks and custome maker in Bogor, Indonesia, 02 February 2015. The Chinese Lunar New Year, known here as Imlek, is only three weeks away. The whole city is getting decked out to celebrate the event on 19 February 2015. (Photo by Adi Weda/EPA)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Frander Arroyo, select wings of butterflies at Blue Morpho Butterfly House in Alajuela, Costa Rica, March 10, 2016. According to Arroyo, owner of Blue Morpho Butterfly House, he collects dead butterflies from his garden to mount as handicraft like earrings, necklaces, paintings and rings for export with prices ranging from $12 to $16 a piece. (Photo by Juan Carlos Ulate/Reuters)

Child models present creations at Dong Wenmei T100 Children's Collection during China Fashion Week in Beijing October 29, 2014. (Photo by Kim Kyung-Hoon/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)