In this aerial photo taken on March 28, 2019 a hot air balloon flies over Putrajaya during the international hot air balloon festival in Putrajaya, Malaysia. (Photo by Mohd Rasfan/AFP Photo)
Members of the British Thai celebrate the Thai New Year (Songkran) at the Buddhapadipa Temple on April 16, 2018 in London, England. Buddhapadipa Temple, the largest Thai temple in the UK with religious ceremonies Thai classical music and dancing performances as well as stalls selling Thai food, groceries and souvenirs. (Photo by Paul Quezada-Neiman/Alamy Live News)
Groundhog Club co-handler Al Dereume holds Punxsutawney Phil, the weather prognosticating groundhog, in front of the crowd gathered for the 133rd celebration of Groundhog Day on Gobbler's Knob in Punxsutawney, Pa. Saturday, February 2, 2019. Phil's handlers said that the groundhog has forecast an early spring. (Photo by Gene J. Puskar/AP Photo)
In this Tuesday, February 5, 2019, photo, fire-eater performs during celebrations of the Lunar New Year in the Chinatown district of Manila, Philippines. This year is the Year of the Earth Pig in the Chinese Lunar calendar and is supposed to represent abundance, diligence and generosity. (Photo by Bullit Marquez/AP Photo)
A man looks at a statue of the Greek god Poseidon on a beach during the passage of tropical storm Beryl in Progreso, on the Yucatan Peninsula, Mexico, on July 5, 2024. Beryl weakened to a tropical storm Friday after hitting Mexico as a Category 2 hurricane, with fierce winds causing material damage but no injuries along the tourist-rich Yucatan Peninsula. (Photo by Hugo Borges/AFP Photo)
Dutch artist Berndnaut Smilde is interested in the ephemeral -- impermanent states of being which he documents through photographs. For Nimbus II, he used a smoke machine, combined with moisture and dramatic lighting to create a hovering indoor cloud in the empty setting of a sixteenth-century chapel in Hoorn, a small town in Holland. “I imagined walking into a museum hall with just empty walls. The place even looked deserted. On the one hand I wanted to create an ominous situation. You could see the cloud as a sign of misfortune. You could also read it as an element out of the Dutch landscape paintings in a physical form in a classical museum hall.”