In this July 29, 2016 photo, cowgirl Dariadna Corujo winds up to lasso a calf during an improvised rodeo event at a farm in Sancti Spiritus, central Cuba. At the tender age of 6, Dariadna is already an expert barrel racer and calf roper. In the flat grasslands of Sancti Spiritus, a group of neighboring cattle ranchers founded a non-governmental organization called Future Ranchers more than a decade ago to revive Cuba’s rodeo culture, which dates back centuries to Spanish colonial times. (Photo by Ramon Espinosa/AP Photo)

Oil pools in a leaf on the beach following an oil slick at Tanjong Beach in Sentosa, Singapore on June 15, 2024. (Photo by Edgar Su/Reuters)

American actress Dakota Johnson at the Red-Carpet World Premiere of Columbia Pictures' MADAME WEB at the Regency Village Westwood Theater on February 12, 2024 in Los Angeles, California. (Photo by Stewart Cook/Getty Images for Sony Pictures)

Kenya Wildlife Service rangers and capture team cool down a sedated elephant at Mwea National Park, east of the capital Nairobi, Kenya Monday, October 14, 2024. (Photo by Brian Inganga/AP Photo)

A woman walks past graffiti on a wall in the Williamsburg neighborhood of the borough of Brooklyn, in New York, September 16, 2014. The picture was taken through car window with raindrops. (Photo by Shannon Stapleton/Reuters)

These images capture the intricate details of minuscule snowflakes, moments before they melt. The shots were taken by Don Komarechka, 31, who has had a lifelong fascination with all things macro – especially snowflakes. The professional photographer says people often don’t believe that his pictures are real because they’re so perfect. (Photo by Don Komarechka/Caters News Agency)

Fans gather to watch a FIFA World Cup Russia 2018 football match between Brazil and Costa Rica on a giant screen at Alzirao neighborhood in Rio de Janeiro, Brazil on June 22, 2018. (Photo by Carl De Souza/AFP Photo)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)