A visitor passes behind the sculpture “Puma-Dentist” made with plastic, wax and original heads of a puma and a hind by Austrian artist Deborah Sengl during an exhibition at the art gallery Deschler in Berlin April 15, 2008. (Photo by Fabrizio Bensch/Reuters)

A burning tank is in Daraa, on March 9, 2013. (Photo by Ali Abu-Salah/Reuters/Shaam News Network via The Atlantic)

In this June 20, 2014, file photo, lobsters are processed at the Sea Hag Seafood plant in St. George, Maine. More and more American and Canadian-caught lobsters have been turning up at fancy restaurants in China, marketed as “Boston lobster”, say Maine-based processors. One processing firm owner says it's now the biggest live lobster important day of the year after Christmas in Europe. (Photo by Robert F. Bukaty/AP Photo)

The CBRE Urban Photographer of the Year competition – now in its ninth year – encourages professional and amateur photographers to capture cities at work. Here: Dog Walker – 15:00. The competition allows photographers to enter up to 24 images, one representing each hour of the day. (Photo by Johanna Siegmann)

A woman walks past graffiti on a wall in the Williamsburg neighborhood of the borough of Brooklyn, in New York, September 16, 2014. The picture was taken through car window with raindrops. (Photo by Shannon Stapleton/Reuters)

These images capture the intricate details of minuscule snowflakes, moments before they melt. The shots were taken by Don Komarechka, 31, who has had a lifelong fascination with all things macro – especially snowflakes. The professional photographer says people often don’t believe that his pictures are real because they’re so perfect. (Photo by Don Komarechka/Caters News Agency)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)