A three-year-old girl smokes a cigar during the Saint Simon celebrations in San Andres Itzapa, Guatemala, on October 28, 2019. Thousands believe that the saint helps people find work, solves family problems and cures illnesses. (Photo by Orlando Estrada/AFP Photo)

Andre Krumbiegel drives in a «SIL» pointed plough through the pink fog of a smoke body in Saxony, Germany on October 2, 2019. The occasion is the forthcoming Eastern Bloc meeting on 6 October in Großhartmannsdorf, to which motor vehicles and commercial vehicles from former socialist countries can be brought, exhibited and demonstrated. Photo by Sebastian Kahnert/dpa-Zentralbild/Keystone)

Platense's defender Ayrton Costa (L) and River Plate's defender Andres Herrera vie for the ball during the Argentine Professional Football League match at the Monumental stadium in Buenos Aires, on October 12, 2022. (Photo by Juan Mabromata/AFP Photo)

Members of the Unidos da Tijuca samba school parade at the “Opening of Carnival 2022” event, at the Cidade do Samba, in Rio de Janeiro, Brazil, 27 February 2022. The event is a preview of the parades of the Samba Schools of the Special Group, postponed to April due to the COVID-19 pandemic in Brazil. (Photo by Andre CoelhoEPA/EFE)

British designer Kim Jones (C) walks the runway to greet the audience after the show of the Spring/Summer 2025 Menswear Collection for Dior fashion house during the Paris Fashion Week, in Paris, France, 21 June 2024. The presentation of the Men's collections runs from 18 to 23 June. (Photo by Andre Pain/EPA/EFE)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

Associated Press photographer Wong Maye-E tries to get her North Korean subjects to open up as much as is possible in an authoritarian country with no tolerance for dissent and great distrust of foreigners. She has taken dozens of portraits of North Koreans over the past three years, often after breaking the ice by taking photos with an instant camera and sharing them. Her question for everyone she photographs: What is your motto? Their answers reflect both their varied lives and the government that looms incessantly over all of them. (Photo by Wong Maye-E/AP Photo)