A woman works on the production of grape molasses using various traditional methods and materials in the Huyuk district of Konya, Turkiye on September 22, 2024. Neighbors and relatives in the region work in cooperation in the production of molasses prepared by boiling in cauldrons. (Photo by Seyit Konyali/Anadolu via Getty Images)

Natalia Arango works with her mine detector in a zone of landmines planted by rebels groups near Sonson in Antioquia province, November 19, 2015. Women's work takes on a nontraditional meaning for fifteen Colombian women who work to rid the Antioquia Mountains of deadly landmines as the country edges closer to a peace agreement with Marxist rebels to end over a decade of conflict which has claimed 220,000 lives. (Photo by Fredy Builes/Reuters)

Men at work at the Cardiff Institute, making huge baskets, unique in size and construction, for loading oil cake in South Africa. (Photo by Maeers/Getty Images). 1938

German field telegraph operators at work in Warsaw. (Photo by Hulton Archive/Getty Images). 1st October 1914

A boy sleeps in a hammock while his mother works at a brick kiln on the outskirts of Yangon February 1, 2015. (Photo by Soe Zeya Tun/Reuters)

This is the work of Keisuke Yamada, a banana artist Kotaku first profiled in 2011. To make these sculptures, Yamada, an electrician by trade, must work fast, or the banana will start to go bad.

Afghan men work in a small sweets factory in Kabul, Afghanistan January 5, 2017. (Photo by Mohammad Ismail/Reuters)

“Dropping” is the work of Italian graphic artist Alberto Seveso. Seveso captured these amazing images or “fluid sculpture” with the use of high-speed photography while mixing ink with oil, as a tribute to the dripping technique of Jackson Pollock. Seveso works from his home town of Portoscuso, Italy creating cutting edge imagery for ad campaigns for companies such as Adobe, Sony, ESPN, Nikon and more. Sevese says of his work: “I don't consider myself as an artist, I'm just someone playing with software and creativity”... (Photo by Alberto Seveso)