British singer-songwriter and television actress Rita Ora in the second decade of February 2025 shows off her abs while getting a caffeine fix. (Photo by ritaora/Instagram)

A stuntman performs in a car at the “Well of Death” at an exhibition in Srinagar, India, Friday, May 23, 2014. In the Well of Death, stunt drivers on motorbikes and cars drive in circles around the vertical walls of the well-shaped construction. (Photo by Dar Yasin/AP Photo)

Iranian skiers rest at the Dizin ski resort, northwest of Tehran January 15, 2016. (Photo by Raheb Homavandi/Reuters/TIMA)

Members of the grounds crew try to catch a cat that got loose on the field during the eighth inning between the Baltimore Orioles and the New York Yankees at Yankee Stadium on August 2, 2021 in New York City. (Photo by Adam Hunger/Getty Images)

Model Yasmine Petty arrives on the Life Ball plane on May 15, 2015 in Vienna, Austria. The Life Ball, an annual charity ball raising funds for HIV & AIDS projects, will take place on May 16, 2015 at the city hall in Vienna. (Photo by Monika Fellner/Getty Images)

“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

Scared of Heights. “Taken from the highest residential building in Asia: the Zenith in Busan. This was taken with official permission (which took me months to get) and safety measures were taken. I had to hang myself over the edge to get this shot. Not for the faint of heart! But when you’re at a height like this, the world below you just seems different. It takes away the fear one would normally have, and gives a sense of peace instead”. (Photo by Albert Dros/NatGeo Cities Travel Photographer of the Year 2017)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)