A man wearing a beard imprinted facemask as a preventive measure against the COVID-19 coronavirus walks along a street in New Delhi on June 19, 2020. India has recorded more than 380,000 cases of COVID-19, the fourth-highest in the world, with over 12,500 deaths, health ministry data show. (Photo by Jewel Samad/AFP Photo)

Models cool off in front of an air conditioner backstage at the DUNDAS x REVOLVE New York Fashion Week Show in Manhattan, New York City, U.S., September 8, 2021. (Photo by Caitlin Ochs/Reuters)

Catherine Hollis of Chester, Pa., and Izzy Weintraub of Atlantic City eat Cherrystone clams at Atlantic City's annual clam-eating contest September 16, 1946. They finished 96 and 66 clams respectively in 20 minutes. (Photo by Sam Myers/AP Photo)

French performer Odile De Mainville applies a makeup backstage before the Parisian transvestite cabaret show at “Madame Arthur” in Paris, on September 29, 2023. Open since 1946, Madame Arthur is the oldest transformist cabaret in Paris. Threatened with extinction the cabaret is undergoing a renaissance, attracting younger customers by returning to the fundamentals of the lie: baroque and queer performers who play with genres and conventions, and sing French hits live. (Photo by Joel Saget/AFP Photo)

A marcher dressed as Marilyn Monroe during the annual Gay Pride march in London, July 1994. (Photo by Steve Eason/Hulton Archive/Getty Images)

Cheng Chen (R), a 27-year-old worker at a state-owned enterprise, poses for a photograph with his nephew who is wearing his home-made Iron Man armour, in Xuzhou, Jiangsu province April 13, 2015. It cost Cheng about 500 yuan ($81 USD) to make the armour, which weighs about 4 kilograms, with plastic boards and LED lights, local media reported. (Photo by Reuters/Stringer)

Students attend a stewardess skill training for the upcoming 2017 entrance examination for art majors in colleges in Luoyang, central China's Henan Province, January 4, 2017. Along with how to stand, how to sit is also covered in these classes. (Photo by Li Bo/Xinhua/Barcroft Images)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)