Alison Brie and Betty Gilpin host in the Netflix comedy-drama“Glow” Season 1 TV Series, 2017. (Photo by Erica Parise/Netflix/Kobal/Rex Features/Shutterstock)

«Maraatack». Barrio Alto, Almería, Spain. Ribeira took the photographs for her Agony in the Garden series in her native Spain, between 2021 and 2023. (Photo by Lúa Ribeira/The Guardian)

TV personalities Kendra Wilkinson and Jessica Hall attend the premiere of STX Entertainment's' “Bad Moms” at Mann Village Theatre on July 26, 2016 in Westwood, California. (Photo by Barry King/Getty Images)

Auto worker Christopher Brower screws a component into the cab of a four-door F150 at Ford's Kansas City Assembly Plant where new aluminum intensive Ford F-Series pickups are built in Claycomo, Missouri May 5, 2015. (Photo by Dave Kaup/Reuters)

Holly Spring, a New Zealand photographer, says she is inspired by her daughter Violet, who was born with multiple ailments; Hirschsprung’s Disease, a blockage of the large intestine and Symbrachydactyly, a limb abnormality. The series was designed to show her daughter that she “can live a life without obstacles”. (Photo by Holly Spring)

An actor portraying Jesus Christ takes part in the interactive street-theatre Passion play “Il-Mixja” (The Way), one of a series of Holy Week activities in the run-up to Easter, in the grounds of Mount Carmel Mental Hospital in Attard, outside Valletta, Malta, March 22, 2016. (Photo by Darrin Zammit Lupi/Reuters)

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)