“Romain de Tirtoff (23 November 1892 – 21 April 1990) was a Russian-born French artist and designer known by the pseudonym Erté, the French pronunciation of his initials, R.T. He was a diversely talented 20th-century artist and designer who flourished in an array of fields, including fashion, jewellery, graphic arts, costume and set design for film, theatre, and opera, and interior decor”. – Wikipedia. Photo: Romain de Tirtoff (Erte) – “Symphony In Black” (please click to enlarge).

A shepherd, holding a lamb, is seen in Gurpinar district of Van, Turkiye on March 30, 2022. Norduz sheep, which are among the significant germplasm of Turkiye and therefore the number of which is aimed to be increased with the state-funded projects. Directorate of Agriculture and Forestry of Van has started work to protect the breed and increase the number of Norduz sheep, which have one more rib than regular sheep and have higher meat and milk yield. Projects are impelling to rise the number of small cattle and to protect local breeds due to the fact that Van ranks first in Turkiye in terms of small cattle. (Photo by Ozkan Bilgin/Anadolu Agency via Getty Images)

“Der Jen (Dezhen; 德珍繪館) has achieved fame in her homeland and that fame is now spreading to other parts of the world as more and more people become familiar with her beautiful paintings. This Taiwanese artist depicts these beautiful ladies in classic, traditional dress that would have been worn by members of the royal court or an empress herself. Traditional hair styles and jewelry depicted in her pieces are also considered authentic. Der Jens art can be found in Chinese advertising, childrens magazines, romance novels, tarot cards, and even on public transit tickets. Its also making its way to our pcs as desktop wallpaper”.

Photo: Der Jen (Dezhen; 德珍繪館) – “The beauty of Brocade” (please click to enlarge).

Kagome Co's employee Shigenori Suzuki tries to eat a tomato which is fed to him by the newly-developed “Wearable Tomato” device for runners, during its unveiling event ahead of the weekend's Tokyo Marathon in Tokyo February 19, 2015. The eight-kilo (17.6-pound) contraption fits on a runner like a rucksack. It can distribute a total of seven medium-sized tomatoes, one by one, at the click of a button and supplies the runner with much needed nutrients during a long jog or race. (Photo by Toru Hanai/Reuters)

Two brave contestants take part in the World Gravy Wrestling Championships at the Rose 'n Bowl in Stacksteads, Lancashire, England on August 27 2018. Contestants must wrestle in the gravy for 2 minutes, points are scored for fancy dress, comedy effect, entertainment and wrestling ability. The event is held to raise funds for the East Lancashire Hospice and competitors nominated charities. (Photo by The Mercury Press)

Typhoon Yolanda – also known as Haiyan – struck the central part of the country November 8, 2013, leaving at least 6,300 people dead and over four million displaced. A month after Typhoon Haiyan, the United Nations Population Fund estimates that 5,000 women were subjected to sеxual violence. A study by the Health and Human Rights online publication shows the majority of young girls and women in Manila’s sеx industry come from poverty-stricken areas – such as Leyte, Samar, Cebu and southern Mindanao – and enter trafficking through force, deception, economic desperation and psychological manipulation. (Photo by Hannah Reyes Morales/The Washington Post)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.