A bee searches for nectar on a flower in Frankfurt am Main, Germany, on Friday, September 19, 2025. (Photo by Boris Roessler/dpa/picture alliance/Getty Images)

A lightning strikes St Peter's dome at the Vatican on February 11, 2013. Pope Benedict XVI announced today he will resign as leader of the world's 1.1 billion Catholics on February 28 because his age prevented him from carrying out his duties – an unprecedented move in the modern history of the Catholic Church. (Photo by Filippo Monteforte/AFP Photo)

A man passes by a wall with graffiti in Beirut, Lebanon, on May 29, 2019. (Photo by Bilal Jawich/Xinhua News Agency/Alamy Live News)

A woman takes photographs of falling snow from a window during a heavy snowfall, amid the coronavirus disease (COVID-19) pandemic in Seoul, South Korea, January 12, 2021. (Photo by Kim Hong-Ji/Reuters)

A horse rears in the crowd during the traditional San Juan (Saint John) festival in the town of Ciutadella, on the Balearic Island of Minorca, on the eve of Saint John's day on June 23, 2022. (Photo by Jaime Reina/AFP Photo)

A local resident performs traditional horse racing during a celebration marking the 70th anniversary of the founding of Yushu Tibetan Autonomous Prefecture, in northwest China's Qinghai Province, August 4, 2021. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

A thrill-seeking storm chaser captured the precise moment these giant lightning bolts lit up dark skies in a series of incredible storms. (Photo by Craig Eccles/Solent News & Photo Agency)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)